Serrini’s song reminds us to empower and embrace our true selves. During my artist residency in Toronto (Ontario) and Wells (British Columbia), I played Serrini’s songs in the shared studio. Other artists did not understand Cantonese but still resonated with the power of Serrini’s voice.
Trees and nature are my primary inspiration. Among many songs related to trees by Serrini, I chose “Kiki Mami”, which can reflect the emotions of being a Hong Kong diaspora in Canada.
Trees are deeply rooted, and their strength, trunk, and branches are a wonder of nature because they stand sturdy and impenetrable most of the time, but can sway with the wind. While trees are robust and grounded, leaves are fragile and vulnerable. The shedding and sprouting of leaves in tree growth cycles are potent symbols of life, death, and renewal. Consider what Thich Nhat Hanh reflects on a tree leaf: “I asked the leaf whether it was frightened because it was autumn and the other leaves were falling. The leaf told me, ‘No. During the whole spring and summer, I was completely alive. I worked hard to help nourish the tree, and now much of me is in the tree. I am not limited by this form. I am also the whole tree, and when I go back to the soil, I will continue to nourish the tree. So I don’t worry at all.’ I bowed my head, knowing that I have a lot to learn from the leaf because it is not afraid – it knows nothing can be born and nothing can die.”
In Hong Kong, trees in the urban streets often grow in unfavourable conditions. An ageing tree is more vulnerable to diseases, pests, and other environmental factors before their inevitable decline. They are struggling to survive, just like human beings. I picked a fallen leaf from a candlenut tree at the roadside in Wan Chai (an old district developed into a splendid waterfront residential area for the European elite) and carved the image of Lion Rock Hill, a symbol of Hong Kong people’s “can-do” spirit, showing the beauty and fragility of humanity.
Life is tough — BIPOC in white supremacy, women in patriarchal societies, expressing ourselves in the Asian culture of silence. Look up, “This real you now is coming through,” and we will make it through.
Serrini is a singer songwriter based in Hong Kong. Her lyrical eloquence has gained her a cult-like following across the Cantonese and Mandarin-speaking communities. Serrini’s catchy music spans across genres of indie pop, folk ballad, and electronica according to the creator’s mood. Fans have likened her concerts to religious experiences. Serrini has a doctorate degree on cultural studies in music.
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Follow the Lilium, freely traverse through time and space. The curious melody, arrangements, and lyrics, the misplaced traditional and modern symbols… forget the clichés, and discover the endless possibilities of music.
From Taipei, Lilium’s 2019 debut album Burnana won them Best Rock Album and Best Newcomer at the Golden Indie Music Awards, and was nominated for Best Taiwanese Album at the Golden Melody Awards. Their second album Road to…, released in 2021, won Best Taiwanese Album and Best Album Design at the Golden Melody Awards.
Lilium has been experimenting with Taiwanese traditional music for many years. They combine nanguan, beiguan, and the moon lute with bossa nova, metal, synthwave, disco-funk and more. Paired with their witty, humorous lyrics, this is a neo-Taiwanese Future-Retro ballad for the new generation!
Humans show love in countless ways.
More than romance, we choose love in all areas of life:
nature, wildlife, those in need, friends, ourselves, and our chosen family.
My dog is my family and life companion; oftentimes, simple moments spent with her are when I feel the most at peace.
Who I was yesterday might not match who I become tomorrow, and what people see might not reflect who I am inside.
The characters shown here, “Who Am I”, cover my face. Messy text representing depression and anxiety eat away at the wholesome, confident version of me. Yet these hurtful words remain faint and at a distance, unable to swallow me entirely.
“People”
The chinese character is easy to write: just two simple strokes.
In our human society, people are not simple at all.
The bullied, the hurt—we keep harming each other!
People kill, people discriminate, people hurt
Yet, people also give each other hope, and dreams
Who am I? Who are you?
No one is born one hundred percent perfect.
But we are all born uniquely ourselves!
The most beautiful
I am me, you are you
Those who stay true to themselves are the most beautiful.
From a broader perspective, the artist sees this song carrying undeniable strength in anti-bullying advocacy. We are all susceptible to the pressures of the outside world, but we all have the right to be who we are, without fear.
The artist was moved by the straightforward and blunt language of the love song. While the lyrics remain open-ended, the artist hears the faith of the girl to follow her lover, and the courage of the speaker to demand love despite having nothing.
Taking on an abstract feel, the artist is inspired by the determination of the singer to climb to the top, even when it seems impossible. The numerous obstacles that crop up in life’s climb can push us to the verge of giving up, yet we all still yearn to reach the view at the top, regardless.
Environmental issues are not an uncommon theme in contemporary art. However, the artist wants to explore that which few people are willing to face: What if we have missed the opportunity to stop the inevitable doom? What will happen after our existing world has come to an end?
The artist believes that humans came from the wild, but ventured too far into the city and started to forget what we are. We should take more time to get back into the wild and listen to its fantastic sounds. We talk too much. It’s time to listen instead to what nature tells us. To the artist, this would lead us to a better future.
Jade Music Fest is grateful to be held on the traditional, ancestral, and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). We acknowledge our privilege to operate on these lands, and commit to work with and be respectful to the Indigenous peoples whose music and culture encourages us to better listen to each other.

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